"In the Steven Spielberg movie E.T, why is the alien brown? No reason. In Love Story, why do the two main characters fall madly in love with each other? No reason...I could go on for hours with more examples. The list is endless. You probably never gave it a thought...but all great films, without exception, contain an important element of no reason."
Wow, just wow. Rubber is easily one of the most interesting films I've ever seen! I'm still trying to decide whether that's a good or bad thing. Directed and written by Quentin Dupieux, the plot involves a tire named Robert that comes alive. What does it end up doing?
Killing things. Lots of things.
Robert first starts off small. "He" first destroys a water bottle and then a scorpion by rolling over them. However, when he tries to roll over a battle of alcohol it does not break. The determined tire then starts emitting a loud noise that eventually cracks the bottle open. Apparently this is some form of psychokinesis. Then things really start to get strange. Robert then kills a rabbit, a crow, and a truck driver completely unprovoked. All the while, a bunch of people are watching the murders through binoculars provided by some strange man riding a bicycle.
At first it felt like a live action Pixar film watching a tire come to life and roll around, but Rubber is a horror film for some reason. If it were a man instead of a tire, it definitely would be a good reason.
Before all of this happens though, a cop breaks the fourth wall by telling us that this film is an homage to the "no reason," which is where that quote at the start of this post is from. He references things like how the people in Chainsaw Massacre aren't shown going to the bathroom, and that we can't see the air around us because there's no reason.
Class ended before the movie could, so I just might have to watch the rest of my film on my own time in order to see if the plot ever gets deeper than a tire killing things. I now leave you with the brilliant opening scene.
What do you think? Is this creative, or just too strange for cinema?